Tjahyadi, Indra, Indra/ITJ (2021) Hasil Cek Plagiasi An Analysis Of The City Meaning In Three Paintings By Agung Tato (Semiotics Approach Of Charles Sanders Peirce’). Jurnal Terob.
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Abstract
A painting is not just a meaningless manifestation of human artistic creation. A painting is also a manifestation of a meaningful sign created by a painter. This article focuses its study on the meaning of the city that is represented in three paintings by Agung Tato entitled Second Level, City of Tommorow, and B…..The theory that it is used to reveal the meaning of the three paintings by Agung Tato is Charles Sanders Peirce's semiotics theory. The method which used in this study is an interpretive qualitative method. The interpretation factor of the sign which the basis of the analysis work is the factor that leads the choice of this method in this article. Based on the analysis that has been done, it was found that in Agung Tato's painting of the city is interpreted as an inhumane geography. Human is no longer as a subject who becomes central to the development or growth of a city. The city exists as a city itself, apart from the various living things in the universe.
| Item Type: | Other |
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| Subjects: | Fakultas Sastra dan Filsafat |
| Divisions: | Bahasa Inggris |
| Depositing User: | Indra Tjahyadi |
| Date Deposited: | 03 Feb 2022 12:51 |
| Last Modified: | 03 Feb 2022 12:51 |
| URI: | http://repository.upm.ac.id/id/eprint/2652 |
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